From Peso Pluma to Natanael Cano: The singers who could lose their U.S. visas over “narco-related lyrics”
U.S. authorities are closely examining the profiles and repertoires of several prominent narcocorrido performers.
The United States has decided to take a tougher stance not only against drug cartels but also against artists who glorify criminal leaders through their music. Under this new strategy, regional Mexican singers could face the cancellation of their work and tourist visas—directly impacting their access to one of the most lucrative markets for Latin music.
The policy shift began with the case of Los Alegres del Barranco, whose visas were revoked after images of “El Mencho” were shown during one of their concerts in Zapopan. According to U.S. Deputy Secretary of State Christopher Landau, the presence and exaltation of criminal figures at public performances will not be tolerated by the U.S. government.
Top Narcocorrido artists under review
Currently, U.S. officials are reviewing the backgrounds and song lyrics of several well-known narcocorrido artists. According to journalist Arturo Ángel, performers like Peso Pluma, Natanael Cano, Grupo Firme, Edgardo Núñez, Jr. Salazar, and La Barranqueña de Mazatlán are being assessed to determine whether their music promotes or glorifies illegal activity or organizations classified as terrorist groups.
The potential revocation of visas would have serious consequences. The U.S. is a major market for regional Mexican artists, particularly within Latino communities. Losing access to this territory would mean a significant loss of income and would limit their professional growth opportunities.
The consequences of losing a U.S. visa
Beyond the economic impact, losing a U.S. visa could seriously damage an artist’s public image. Any direct association with criminal activity carries risks such as censorship on streaming platforms, loss of sponsorships, canceled record deals, and a general decline in international visibility.
While narcocorridos are popular, they have also drawn the attention of intelligence agencies. These songs have even been used in investigations to uncover criminal networks. A recent case involved Mario Alexander “N,” also known as “El Piyi,” a former hitman chief for Iván Archivaldo Guzmán. His location was reportedly discovered thanks to details mentioned in a song by Luis R. Conríquez and Tito Doble P.
With this new approach, U.S. authorities aim to discourage the use of music as a tool to glorify organized crime. The decision raises a complex cultural and legal question for the entertainment industry: to what extent can artistic expression be penalized for its content—and how should the balance between creative freedom and national security be maintained?
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